A secret agent realizes the organization he works for has plans for him to be assassinated.

A boy named George Jung grows up in a struggling family in the 1950's. His mother nags at her husband as he is trying to make a living for the family. It is finally revealed that George's father cannot make a living and the family goes bankrupt. George does not want the same thing to happen to him, and his friend Tuna, in the 1960's, suggests that he deal marijuana. He is a big hit in California in the 1960's, yet he goes to jail, where he finds out about the wonders of cocaine. As a result, when released, he gets rich by bringing cocaine to America. However, he soon pays the price.

A German actor and his bumbling manager start a gardening service in Hollywood to meet influential types that may help their careers.

Fary, a French banker in Tientsin, is victim of an hold-up. Wang Yue-Cheng robs a pagoda statue that is a priceless jewel, and part of China's national heritage. Fary informs the French authorities, who declare themselves unable to help him out. Meanwhile, Fary's daughter, Louise, is abducted. A Chinese detective, Tchao Tchun, is then called upon, to try to rescue the jewel and the girl before something untowards happens to them.

Disgraced cop Aiden is thrust into Sydney’s neon-soaked gay district, where a chance encounter with Cody—a seductive bartender and sex worker—sparks a dangerous spiral. Blackmailed into working for Fat Frankie, a murderous drag queen mob boss, Aiden is drawn into a deadly heist and a twisted game of survival. As he battles desire, betrayal, and his own demons, Aiden must decide if redemption is worth the price of betrayal.

An alienated, world-weary drifter searches for the inspiration to complete a book of existential philosophy that he has been writing for years.

The raw material used in Blow-up comprises two shots from an old educational film about first aid: A man demonstrates mouth-to-mouth resuscitation on a life-size dummy; the dummy's chest rises and falls. Fruhauf introduces this scene into his own métier, turning the "blow-up" metaphor into an image with a false bottom. With the aid of a digital photocopier, the strip of film was reduced in size to a narrow ribbon, and Blow-up shows this transformation in reverse: The ribbon is resuscitated, swelling gradually until the initial image is recognizable and, in the end, fills the screen. And this would not be a Fruhauf work if this educational film on the cinematographic body did not conclude with a roguish smile...

An early super 8 horror short film by Mark Borchardt

The raw material used in Blow-up comprises two shots from an old educational film about first aid: A man demonstrates mouth-to-mouth resuscitation on a life-size dummy; the dummy's chest rises and falls. Fruhauf introduces this scene into his own métier, turning the "blow-up" metaphor into an image with a false bottom. With the aid of a digital photocopier, the strip of film was reduced in size to a narrow ribbon, and Blow-up shows this transformation in reverse: The ribbon is resuscitated, swelling gradually until the initial image is recognizable and, in the end, fills the screen. And this would not be a Fruhauf work if this educational film on the cinematographic body did not conclude with a roguish smile...

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